<DATE> Contents

Attention to Akeni
Carolyn Todd
SFM's newest addition to the writing staff takes an in-depth look at akeni, their history and production techniques
Rikishi of Old
Joe Kuroda
Joe Kuroda slides former yokozuna Minanogawa under his SFM microscope
Eric Evaluates
Eric Blair
Eric's wit scythes through the SML and makes clear his opinion of where the future lies for online sumo forums.
Eternal Banzuke Phase II
Lon Howard
Stats, equations and mathematics all lead to a list of sumo's most prolific up and downers
Matta-Henka: Another View
Lon Howard
A row that will never be fully decided but Lon gives his impressions on it all the same
Heya Peek
Mark Buckton
Mihogaseki, former home of Estonian sekitori Baruto is toured (and peeked at) by SFM's Editor-in-Chief
SFM Interview
Mark Buckton
Mark interviews shin-komusubi Kokkai
Photo Bonanza
See the Nagoya basho and Akeni photo bonanzas
Nagoya Basho Summary
Lon Howard
Lon gives us his Nagoya basho summary, along with the henka sightings results
Lower Division Rikishi
Mikko Mattila
Mikko Mattila casts his watchful eye over lower division goings on in makushita and below.
Aki Ones to Watch
Carolyn Todd
Carolyn takes over the job of rikishi job performance prediction for SFM as she looks at those to keep an eye on come September
Kimarite Focus
Mikko Mattila
Our man Mikko's latest trio of kimarite get thrown about the SFM literary dohyo
Amateur Angles
Howard Gilbert
Howard returns with the second of his columns on the amateur sumo scene.
Sumo Game
SFM's very own quiz comes in for a bit of self scrutiny by our secretive man of questions. We'll call him 'X'.
Sumo in Print
Barbara Ann Klein
SFM’s Editor reviews “The Little Yokozuna”, a book for “young” (and older) adults
Kokugi Connections
Todd Lambert
Check out Todd's bimonthly focus on 3 of the WWW's best sumo sites
Fan Debate
Facilitator - Lon Howard
Keri Sibley and Eduardo de Paz  ponder the concept of ‘to pay or not to pay’ makushita salaries
SFM Cartoons
Stephen Thompson
Sit back and enjoy the offerings of one of sumo's premier artists
Lets Hear From You
What was it that made you a sumo fan? SFM’s own Todd Lambert details his path into sumofandom
Readers' Letters
See what our readers had to say since we last went out
Sumo Quiz
The Quizmaster
Answer the Qs and win yourself next basho’s banzuke.


  shrine and pictures of past greats – including his father - Masuiyama I.

A relatively dark dohyo with much of its illumination coming in through the always open and warehouse style main sliding doors can be a tad annoying to watch for extended periods. Indeed, this may be the reason the rikishi seem to venture outside at regular intervals lest they lose their sight like Pacific Ocean bottom-feeders.

Between the entrance door itself and the step up to the tatami viewing area, several weights, bars and benches, that look like they could have featured in the first Rocky movie (1976), sit forlornly – covered in rust and apparently long forgotten.

The door to the rear of this ‘weight training facility’ is essentially closed to visitors as it leads off to rikishi showers on the left, and a brief right turn leads to a couple of flights of bare, long since painted steps, up to a concrete-floored kitchen facility having a 12- or 16-odd tatami eating area with small round tables regularly spaced. Spartan, to say the least, and adjacent to an almost bare 40-tatami size communal living area with just a couple of small televisions and storage cupboards, - that is just about all there is to see at Mihogaseki-beya.

The noticeable lack of creature comforts notwithstanding, Mihogaseki oozes sumo and oozes ‘welcome’ in that quiet unassuming sumo way. The various oyakata  have always made

by the entrance, spotless keikoba with all of the modern conveniences – in as far as sumo has them - and a museum-like toilet for visitors. Mihogaseki does lack the decorations and ‘just so’
    


Mihogaseki-Beya
    

a point of nodding a welcome to me and any others I have seen attend asageiko, as have the higher ranked rikishi – most notably Satoyama, Baruto and Shiraishi.

Only on a second or third visit does the building’s age become apparent and the run down fixtures and fittings that have seen better days come into view, but in doing so, it simply adds to the character of the place.

This is not a heya in the manner of Musashigawa with its high-tech office


layout of Kasugano and Tamanoi, but for many old schoolers, this is a ‘sumo stable’ as sumo stables should be – at least it smells that way.

After all, don’t forget that when Rocky whooped Apollo second time around, all he had was a grim training facility and the then Springsteen-free streets of Philadelphia to run through. His ‘movie hunger’ took him to the top.

Mihogaseki will one day return.
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