<DATE> Contents

Sumo Souvenirs  
Mark Buckton
Second of a two parter on sumo souvenirs - some hints on avoiding the fluff.
Konishiki
Chris Gould
Takamiyama's 60s / 70s successes notwithstanding Konishiki was sumo's first full-on mover and shaker from lands afar leaving Chris G to take an in-depth look at the ripples the big guy left behind when exiting the sumo pool.
Rikishi of Old
Joe Kuroda
Joe Kuroda's looks back at the life and times of former yokozuna Shiranui.
Eric Evaluates
Eric Blair
Eric IDs the true winners of the henkafest that was the Haru Basho senshuraku.
Rikishi Diary
Mark Kent
Mark Kent - English pro-wrestler and amateur heavyweight sumotori - takes his training a step further on his road to European and World sumo glory.
Heya Peek
Mark Buckton
Oitekaze Beya just to the north of Tokyo and not far from the abode of SFM's Ed-i-C falls under the microscope.
SFM Interview
Carolyn Todd
Carolyn interviews Riho Rannikmaa during his recent trip to Osaka - head of all things sumo in Estonia, friend and mentor of Baruto, this is a man with something to announce.
Sumo à la LA
Alisdair Davey
SFM's man in the shadows reports on his recent jaunt in LA, as guest of the Californian Sumo Association and SFM reporter at large.
Photo Bonanzas
Hot on the heels of the recent Ise bonanza - Haru up close and very very personal - some of our best pics to date.
Haru Basho Summary
Lon Howard
Lon wraps the Haru Basho and chucks in a few bits on the henka issues the top dogs are suffering from at present.
Sumo Menko
Ryan Laughton
Sumo cards of old brought to life once again by expert collector Ryan Laughton. None of your BBM offerings here - Pt II of III.
Natsu Ones To Watch
Carolyn Todd
Carolyn ponders the ones to watch come May and Natsu when sumo comes home to Tokyo.
Kimarite Focus
Mikko Mattila
Mikko's latest look at sumo's kimarite offers unequalled analysis and in depth explanations.
Amateur Angles
Howard Gilbert
On your marks, get set, go - Howard Gilbert walks us through the months ahead on the amateur calendar.
Kokugi Konnections
Todd Lambert
Click on Todd's latest selection of the best sumo sites the WWW has to offer.
Fan Debate
Facilitator - Carolyn Todd
Should it or shouldn't it? Honbasho go on the overseas road that is. See what SFM's Chris Gould and James Hawkins have to say.
SFM Cartoons
Benny Loh & Stephen Thompson
In this issue's cartoon bonanza, sit back and sample ST's latest artistic offerings.
Sumo Odds & Ends
SFM's interactive elements - as always includes Henka Sightings, Elevator Rikishi and Eternal Banzuke!
Let's Hear From You
What was it that made you a sumo fan - A. S. - the face in the crowd reveals almost all - to see everything you'll have to close your eyes.
Readers' Letters
See what our readers had to say since we last hit your screens.
Sumo Quiz
The Quizmaster
Answer the Qs and win yourself a genuine banzuke.
 
run across any of these, I wouldn’t hesitate to pick them up right away.

The final part of the production process is how individual menko were cut from their master sheet after printing.  All the rikishi series menko were die-cut, which is essentially the same process as how monetary coins are made.  A big stamp came down and stamped out the menko, but left parts of the master sheet as unusable.  It also tended to produce off center menko as is seen with many of the menko produced in this fashion.  This technique was more costly than the second method that produced the simple rectangular shaped menko seen on 95% of all sets.  Rectangular shapes were relatively easy to make, as all that was needed was essentially a huge paper cutter to cut stacks of master sheets into individual menko. 


A variation on this method that the companies used was to print the master sheets and then sell them intact or include them as prize sheets where the kids had to cut them apart themselves.  This was a further attempt at reducing production costs, as no cutting was required at the factory.  One result of this, though,




Three examples of cutting production: Sheet, Die-Cut and Hand-Cut
is that many menko that survive today are those cut from sheets by the kids, and so have many wavy edges and are off-centered to some degree.  I have yet to notice an effect on game play from the different cutting methods.


Now that we’ve talked about the front of the menko, let’s move to the back.  The backs of sumo menko came in all sorts of themes such as Chinese Zodiac signs, war images or outer space drawings, but the two basic types that are consistent on all the menko after 1950 are the Gu-Choki-Pa (Rock-Scissors-Paper) mark and Fighting Numbers.  These were used in the different variations of menko game rules.  Instead of slamming the menko on the ground trying to flip the opponent’s menko over, the kids could simply pull out different menko and use the Gu-Choki-Pa marks to outplay their opponents.  The Fighting Numbers were also used to play a variation of menko.  See last issue’s Sumo Menko Basics article for more details on the variation of these games.  The emergence of the Gu-Choki-Pa marks on sumo menko is first seen at the beginning of the 1940s and is standard until 1964, but the 1930s menko only have Fighting Numbers.  I’m still looking into this to see if this was an across the board menko trend or just on sumo menko.  Menko backs are very important in set identification, which we’ll discuss in further detail in the next issue of SFM. 

For those of you interested in collecting, I’ve tried to provide a good starting point at www.sumo menko.com, where there are numerous photos of different menko and checklists for the set collectors.  I’ve also tried to provide a general overview of all things sumo menko on the front.  The big thing will be finding a good source of sumo menko.  There is almost always an auction or two on eBay from four or five different sellers.  This is a great




Examples of Gu-Choki-Pa marks and Fighting Numbers on back of menko

place to start building up your collection at reasonable prices.  Rob at Prestige Collectables, www.prestige collectibles.com, has an online auction up every couple of months with some unique and sometimes very hard to find sumo menko.  There are also a couple of random online stores in the US that sell one or two sumo menko, so just Google “sumo menko” or “sumo card” and you might be able to find a good buy out there.  In the next issue of SFM we’ll discuss set identification techniques along with the lottery aspect of sumo menko.  I’ll also highlight a few of the sets during this time along with the rikishi that made them so popular.  Until then, cheers….

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