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Letters to the Editor |
in
various ways: supporting Sumo Kyokai functions, sponsoring
events, giving financial awards to lower division yusho winners,
etc. They are especially supportive of the lower division rikishi
who don't receive a salary. They are forbidden from clapping or
cheering for a specific rikishi at hon-basho since they support sumo in
general. Their membership is limited in number and requires a
hefty initiation fee, as well as expected annual contributions reported
to be from one to two million yen, and other donations as well. The man in the gold hat is the head of the supporters club of the Japanese Olympics, and thus calls himself “Olympic Ojisan.” He says he hasn’t missed an Olympics since Tokyo 1964, and usually attends every Tokyo basho, as well as the others, sometimes. He also carries a golden colored fan with a Japanese ‘rising sun’ emblem on it. He’s just a quirky guy (a company owner) who loves sumo and likes to promote things Japanese. Most people seem to like him a lot, except possibly for those that are unfortunate enough to be sitting behind where ever he is standing at the time. I hope this is the information you were seeking. Thank you again for the interesting questions and for being a sumo fan. Best regards, Lon Howard Editor Sumo Fan Magazine Home |
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Each issue, we will feature a letter from one of our readers. The sender will receive a sumo-related prize of our choosing. |
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Hi, I've never thought of Canada as a Third World country, but we are denied the Secondary English Translation Feed by our telecommunications company. We've been watching Sumo for six years now picking up bits of Japanese as we go. This leaves us plenty of time to be aware of things that pop up in the background, so my questions have more to do with the audience this time. I so appreciate your e-zine because you seem to anticipate some of the questions I have. Keep it up! Two bashos ago there were two rows of audience members whom I think I have identified as Noh actors. They were dressed in black with white face paint and exaggerated, geometric facial features. Do you have any information on them? And this time, I am aware of the audience participants in the first several rows (ground level) wearing simple construction brown jackets. The jackets are identical, being short with unconstructed sleeves. Are these participants part of a specific group? Of course, I am missing the man in the gold hat. Thanks for any information you can bring to me. Sherry King Vancouver, BC Canada |
Hello Sherry, These are very interesting questions, and I would like to thank you for spurring us to broaden our own knowledge as well. Thanks are also in order to our resident sumo historian, Staff Writer Joe Kuroda and Editor-in-Chief Mark Buckton, for assisting with the answers. The audience members with the white faces were not Noh actors, as Noh actors would either wear a mask or would have no makeup at all. Some Kabuki actors wear white make-up but only on stage, and as individuals - not as an entire group, out in public. The people you saw were a group of Geisha who attend the Kyushu basho each year as a group, sitting two to a masu-seki (that normally seats four). They are dressed in public as you describe (not always in black, though). They are thought by some to have a connection with Tomozuna-beya (ozeki Kaio's heya), as they all get up and leave after Kaio's bout. Kaio himself is from Kyushu. The people in the brown jackets are recognized financial supporters of the Nihon Sumo Association (as opposed to individual heya or rikishi). They are known as Tozai Kai in Osaka and Tamari Kai in the other three cities where hon-basho is held. They contribute their own private funds to support sumo |
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