NHK & the Ozumo English Broadcast Mark Buckton A visit to NHK, years of watching the show and the opinions of our Ed-in-Chief Hanging With the Rikishi Barbara Ann Klein Barbara Ann Klein recounts her experiences with the “boys” in a pictorial diary series
Sumo Exhibit at the Edo-Tokyo Museum Barbara Ann Klein SFM’s Editor takes in the exhibit celebrating 80 years of the Japan Sumo Association at this famous Tokyo museum
Photo Bonanza What a collection – All-Japan Sumo Tournament, Hakkaku- beya visit and sumo exhibits at the Edo-Tokyo Museum Kyushu Basho Review Lon Howard Lon gives us his Kyushu Basho summary, along with the henka sightings results, and his take on the year in brief Lower Division Rikishi Mikko Mattila Mikko Mattila covers lower division ups and downs
Sumo 101 Eric Blair Eric explains all you need to know and then some about the Kokugikan building – the mecca of sumo
Minusha John McTague John’s unique bimonthly view of news from outside the dohyo Online Gaming Eric Blair For the lowdown on Guess the Kotomitsuki – baby of SFM’s John Gunning Kokugi Connections Todd Lambert Todd’s bimonthly focus on 3 of the most interesting sumo sites today
SFM Cartoons Stephen Thompson In the second of our cartoon bonanzas, sit back and enjoy ST’s offerings Let’s Hear From You What was it that made you a sumo fan? American Todd Defoe tells all Readers’ Letters See what SFM readers had to say since our last issue Sumo Quiz The Quizmaster Answer the Qs and win yourself next basho’s banzuke. |
the youngest. Kakureizan still works there, but retains a fairly low profile; most customers are unaware that it is even him, and seem to think Terao owns the place. Salt Shaker and Plum Town Nishikido and the former Umenosato Koizumi Masato was scouted out by great Hawaiian sekiwake Takamiyama on a trip to Mito, Ibaraki Prefecture in the late ’70s. He made his debut with Takasago-beya in the 1978 Haru basho. He began as Koizumi, but three years later was given the shikona Mitoizumi, in honor of his famous hometown. Exactly two years after Mitoizumi joined, he would be followed into the heya by his younger brother Shoji, who would take the name Umenosato, from the ume – plum/apricot that is Mito’s most famous product. Unfortunately, Umenosato would not meet with the same success as his brother. |
He spent just over thirteen years in the lower divisions before peaking out at Juryo west 13 – his only basho as a sekitori – at the Nagoya basho in July 1993. Following that, he dropped back down to makushita, but perhaps showing a bit of his brother’s tenacity, he would fight on for 7 ½ more years, before finally pulling the plug in January of 2001. Even if they couldn’t do it together, Mitoizumi would do his brother proud and would become one of the most tenacious and popular rikishi of his time. A big man at 194 cm, Mitoizumi took longer than expected – six years – to make it to juryo but stayed for only two basho, making his makuuchi debut in the September 1984 basho. He moved up and down the banzuke, but managed to impress enough to claim three kanto-sho in his first two years. The Aki basho in September 1986 would prove to be one of the defining moments of Mitoizumi’s career. On the third day, facing future yokozuna Onokuni, he was twisted and forced down on his left knee, seriously injuring it. After a lot of rehabilitation and moral support from his brother, he would eventually return to the |
dohyo, but the knee would continue to bother him for the remainder of his career. Oddly enough though, that leg injury was not the catalyst for the behavior that would help make him so popular and influence certain other recently-popular rikishi. As he stood in the corner for the last time before the tachiai, he would grab an enormous handful of salt and underhand it in a huge arc across the dohyo. Then, as he walked out to face his opponent, he would strike his face and shoulders to help focus his energy. Earning the nickname Salt Shaker, combined with a strong fighting spirit (6 kanto-sho and 1 shukun-sho) both in his torikumi and in battling through all his injuries, helped make him enormously popular with the fans. Almost six years after the debilitating knee injury, in the 1992 Nagoya basho, Mitoizumi had perhaps the high point of his career. Capitalizing on his size, reach and power to their utmost, he won a spectacular 13-2 hiramaku yusho ranked at Maegashira 1. For that, he was elevated to sekiwake the following basho, but was unable to capitalize on Next Home |
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